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Tuesday, May 12, 2020 | History

10 edition of German national cinema found in the catalog.

German national cinema

by Sabine Hake

  • 64 Want to read
  • 33 Currently reading

Published by Routledge in London, New York .
Written in English

    Places:
  • Germany
    • Subjects:
    • Motion pictures -- Germany -- History,
    • Motion picture industry -- Germany -- History

    • Edition Notes

      Includes bibliographical references (p. 193-208) and indexes.

      StatementSabine Hake.
      SeriesNational cinemas series
      Classifications
      LC ClassificationsPN1993.5.G3 H28 2002
      The Physical Object
      Paginationviii, 232 p. :
      Number of Pages232
      ID Numbers
      Open LibraryOL3948803M
      ISBN 100415089018, 0415089026
      LC Control Number2001038711

      Until unification, Third Reich cinema has been treated as the ultimate Other of German cinema and its competing discourses of art cinema, popular cinema, and national cinema. Especially the totalizing views of cinema and propaganda, ideology, and the fascist imaginary have provided a substitute for detailed historical research and political.   Post-Wall German Cinema and National History." Utopianism and Dissent By Mary O'Brien New York: Camden House, , pages, cloth $ The last couple of years have seen an amplification of interest in German Cinema within Anglo-American film scholarship.

      Thus questions about the role of German cinema—in terms of national identity, high versus low culture, social relevance, commercial status, and international significance—have achieved an unprecedented public prominence. Throughout, Hake’s findings underscore the continuities among Weimar, Third Reich, and post West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood by:

      The films produced were formally experimental and dealt with the difficulties of post-war German national identity. New Spanish cinema: Spanish culture was tightly controlled under fascism, but after General Franco’s death in liberated filmmakers produced an explosion of hedonistic cinema.   In its study of West German cinema's links and co-operations with other countries including Britain, France, and Italy, the book addresses what is perhaps the most striking phenomenon of s popular film genres: the dispersal and disappearance of markers of national identity in increasingly international narratives and modes of : Tim Bergfelder.


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German national cinema by Sabine Hake Download PDF EPUB FB2

German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film by: German National Cinema provides colleagues and students with a stimulating and comprehensive historical summary of German cinema from Skladanowsky to Tykwer.

The author's arguments are cogent, persuasive, and incorporate numerous current theoretical approaches without the use of technical jargon.

It will serve as a valuable resource tool for Reviews: 2. German National Cinema is the first comprehensive history of German film from its origins to the present.

In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form.

The book traces the central role of cinema in the nation's. "German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form.".

National cinema is a term sometimes used in film theory and film criticism to describe the films associated with a specific nation-state. Although there is little relatively written on theories of national cinema it has an irrefutably important role in provides a unique window to other cultures, particularly where the output of a nation or region is high.

Book Description. German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form.

Until recently, little was known about films from the Wilhelmine period, that is, the cinema before Some of the reasons for such neglect apply to other national cinemas as well: the large number of films lost or in danger of disintegrating; the inaccessibility of film copies, stills, and print sources from the period; and the limited resources available for : Sabine Hake.

German National Cinema 2nd Edition. Sabine Hake Novem German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to.

History – German Empire. The history of cinema in Germany can be traced back to the years shortly after the medium's birth. On November 1, Max Skladanowsky and his brother Emil demonstrated their self-invented film projector the Bioscop at the Wintergarten music hall in Berlin.A minute series of eight short films, it was the first screening of films to a paying audience in Main distributors: Warner (%), Walt.

German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form/5(4).

The German Cinema Book brings together film specialists from Europe and the United States to explore German film history from the late nineteenth to the early twenty-first century This comprehensive text re-evaluates traditional areas of interest in German Cinema (such as Weimar cinema, Nazi propaganda, New German Cinema) and complements this with a fresh look at hitherto neglected /5(3).

His book is the first to examine the legitimization function of German national cinema not just in relation to the German history associated with World War II and the Holocaust, but also within the shifting configuration of by: Kracauer, a former film critic in Weimar Germany, wrote his book From Caligari to Hitler () while in exile in New York during and immediately after World War II, primarily to explain to Americans why the German nation sank into barbarism.

Kracauer almost completely ignores German expressionism's stylistic features, focusing instead on narrative threads and typologies that buttress his case.

Furthermore, with its broad concerns for the West German production context, the New German Cinema’s reception both nationally and internationally, as well as issues of representation, narration, and ‘Othering,’ Nation and Identity in the New German Cinema offers an interdisciplinary contribution to the ongoing debate on national : Inga Scharf.

German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form.

The SS-philosopher Walter Julius Bloem published the book "The Soul of the Cinema – A Commitment to the Movies" in In September Philipp Nickel produced a documentary of the “German Day in Nuremberg” where the “Battle-League” was founded, shortly before the Beer Hall Putsch.

In its resolute challenge to our received ways of thinking about the New German Cinema, this is a provocative book indeed. Davidson makes a unique and incontrovertibly fresh contribution, which takes the study of German film after Oberhaussen beyond the limited ‘territorial’ alternatives of ‘World’ or ‘National’ Cinema.

This volume tells the story of the cinema of Germany in 24 essays, each concerning an individual film, in a fresh and concise way.

It describes a 'national' film industry which successfully met the demand of a 'national' audience from the s to the s. The Companion to French Cinema ().

German Film The great era of German cinema began in with Robert Wiene's Cabinet of Dr. Caligari. It was written by Carl Mayer, who was among the most influential artists working in the German film industry in the s.

Sabine Hake is the author of German National Cinema ( avg rating, 38 ratings, 4 reviews, published ), Popular Cinema of the Third Reich ( avg /5. E-Book: This is the first comprehensive account of Germany's most enduring film genre, the Heimatfilm, which has offered idyllic variations on the idea that there is no place like home since cinema's early days.

Charting the development of this popular genre over the course of a century in a work informed by film studies, cultural history, and social theory, Johannes von Moltke focuses in.German National Cinema - Sabine Hake () PN G3 H28 A comprehensive history of German film from with illustrations of films, stars and directors throughout.

The author examines German film as various "types" of cinemas, including .Traditions in World Cinema brings together a colorful and wide ranging collection of world cinematic traditions--national, regional, and global--all of which are in need of introduction, investigation and, in some cases, critical reassessment.

The movements described range from well-known traditions such as German expressionism, Italian neorealism, French, British, and Czech new wave, and new.